Author Archives: the frantic epistemologist
The Amputee at the Keyboard – Digital Text as Prosthesis
Archival re-enactment of a paper first delivered at ‘The Body and the Digital’, JAM Conference 2013, University of Reading (Department of Film, Theatre and Television).
The Amputee at the Keyboard – Digital Text as Prosthesis
Archival re-enactment of a paper first delivered at ‘The Body and the Digital’, JAM Conference 2013, University of Reading (Department of Film, Theatre and Television).
The Problem with Plain Text
The problem with any pre-designed blog platform is that it places a higher value on consistency of appearance than communicative potential. All kinds of preset ‘options’ are built in that force the user to conform to a designer’s vision for
The Problem with Plain Text
The problem with any pre-designed blog platform is that it places a higher value on consistency of appearance than communicative potential. All kinds of preset ‘options’ are built in that force the user to conform to a designer’s vision for
Letters at Breakfast – First Thoughts on Eating Alone
Recently finding myself alone in a new town on business matters, my first task was to find somewhere to eat. Having never quite braved the idea of dining out alone before I decided to arm myself with a favourite book
Letters at Breakfast – First Thoughts on Eating Alone
Recently finding myself alone in a new town on business matters, my first task was to find somewhere to eat. Having never quite braved the idea of dining out alone before I decided to arm myself with a favourite book
Thoughts on The Word Butterfly: Notes toward essay as theatrical form
Thoughts on The Word Butterfly: Notes toward essay as theatrical form (A lecture by Lin Hixson & Matthew Goulish) Chelsea Theatre 14/01/2012 I couldn’t get the word butterfly so I tried to get the word moth. Lyn Hejinian, My Life,
Thoughts on The Word Butterfly: Notes toward essay as theatrical form
Thoughts on The Word Butterfly: Notes toward essay as theatrical form (A lecture by Lin Hixson & Matthew Goulish) Chelsea Theatre 14/01/2012 I couldn’t get the word butterfly so I tried to get the word moth. Lyn Hejinian, My Life,
Amputating the Hand That Writes – A Critical Reflection
An as-yet unpublished extended essay on ventriloquism, neurology and language. For a printable version, please see the hyperlink at the bottom of the page. Amputating the Hand That Writes – A Critical Reflection Jennifer Jarman, August 2011 Amputating the
Amputating the Hand That Writes – A Critical Reflection
An as-yet unpublished extended essay on ventriloquism, neurology and language. For a printable version, please see the hyperlink at the bottom of the page. Amputating the Hand That Writes – A Critical Reflection Jennifer Jarman, August 2011 Amputating the
At the end of the archive is a telephone box
Back to free school: Drawing out the archive was a week long residential project that took place from the 9th to the 17th of April (2011) at Kilquhanity Children’s Village in Galloway. The speculative practice-based symposium brought together a group of
At the end of the archive is a telephone box
Back to free school: Drawing out the archive was a week long residential project that took place from the 9th to the 17th of April (2011) at Kilquhanity Children’s Village in Galloway. The speculative practice-based symposium brought together a group of
Postcards from Derrida @ ‘Feint’, Rag Factory 2011
Having been invited to perform at Feint, an exhibition marking the intersection of academic research and artistic practice for postgraduate alumni of Winchester School of Art, I set to work creating a piece that would refract some of my research
Postcards from Derrida @ ‘Feint’, Rag Factory 2011
Having been invited to perform at Feint, an exhibition marking the intersection of academic research and artistic practice for postgraduate alumni of Winchester School of Art, I set to work creating a piece that would refract some of my research
Who is Eurycles?
Why, in referring to anything they cannot help using the words ‘being’ and ‘apart’ and ‘from the others’ and ‘by itself’ and any number more. They cannot refrain from these expressions or from connecting them in their statements, and
Who is Eurycles?
Why, in referring to anything they cannot help using the words ‘being’ and ‘apart’ and ‘from the others’ and ‘by itself’ and any number more. They cannot refrain from these expressions or from connecting them in their statements, and
Thoughts on invitations and foreign bodies
In any event what has happened here remains infinitely foreign to you, does not touch you, and is not to touch you in any way; infinite distance. Jacques Derrida, The Post Card, p76 We have all been making postcards
Thoughts on invitations and foreign bodies
In any event what has happened here remains infinitely foreign to you, does not touch you, and is not to touch you in any way; infinite distance. Jacques Derrida, The Post Card, p76 We have all been making postcards
From the archives: Just a Bird in a Gilded Cage
Presentation at Voice Colloquium, Goldsmiths College, Oct 2010 Reading list: Jaki Irvine, essay in Who’s Afraid of Red, White & Blue, ARTicle Press, Birmingham, 1999. “Anne Tallentire’s Instances”, catalogue essay for Anne Tallentire’s exhibition at the Venice Biennale, 1999. “Re:
From the archives: Just a Bird in a Gilded Cage
Presentation at Voice Colloquium, Goldsmiths College, Oct 2010 Reading list: Jaki Irvine, essay in Who’s Afraid of Red, White & Blue, ARTicle Press, Birmingham, 1999. “Anne Tallentire’s Instances”, catalogue essay for Anne Tallentire’s exhibition at the Venice Biennale, 1999. “Re:
the frantic epistemologist 